Soft Network logo

Interior Scroll or What I Did on My Vacation, Broadway Gallery, New York, 2021

Interior Scroll or What I Did on My Vacation, Broadway Gallery, New York, 2021
Interior Scroll or What I Did on My Vacation, Broadway Gallery, New York, 2021
Interior Scroll or What I Did on My Vacation, Broadway Gallery, New York, 2021
Interior Scroll or What I Did on My Vacation, Broadway Gallery, New York, 2021
Interior Scroll or What I Did on My Vacation, Broadway Gallery, New York, 2021
Interior Scroll or What I Did on My Vacation, Broadway Gallery, New York, 2021
Interior Scroll or What I Did on My Vacation, Broadway Gallery, New York, 2021
Interior Scroll or What I Did on My Vacation, Broadway Gallery, New York, 2021
Interior Scroll or What I Did on My Vacation, Broadway Gallery, New York, 2021
Interior Scroll or What I Did on My Vacation, Broadway Gallery, New York, 2021

Interior Scroll
or
What I Did on My Vacation

A Multi-Venue Program Organized by Soft Network

Taking its title from both the extraordinary Carolee Schneemann performance that was first staged at Ashawagh Hall in East Hampton on August 29, 1975 as part of Joyce Kozloff and Joan Semmel’s radical feminist exhibition entitled Women Artists Here and Now and a series of happenings organized by Allan Kaprow in 1967 throughout the Hamptons for CBS’s historic news program Eye on New York, Soft Network’s summer project gathers artwork, ephemera and moving-image from a group of intergenerational artists in a sprawling, visual poem on mediation and re-mediation.

Exhibitions and screenings span Broadway, Tribeca; Halsey McKay, East Hampton; S&S Corner Shop, Springs; Metrograph Cinema online; and the Arts Center at Duck Creek, Springs. Artworks specifically chosen for Broadway represent an expansive view of performance for the camera and look at the complicated, yet integral role archival actions take in preserving the artistic interchange of fleeting, corporeal based work as well as artist networks.

A 1955 rubbing by Sari Dienes of Gloria Swanson’s Hollywood Star; pencil drawings of a curvaceous Rrose Sélavy from the turn of the 21st century by the late Anita Steckel; boldly colored, figurative paintings by Juanita McNeely of her friends from the 1980s; and a new 18-inch (foot)print by Alison Knowles enlarging the sole of her shoe imprinted into rough, responsive paper all show an extended interest among a group of feminist peers in the mediation of performance as a conceptual and visual gesture.

A new installation of photographs and slideshow from Robin Graubard made over several years in Paris; a recently located image from Adam Putnam’s archive of one of his first performances; a man grinning at the Piers photographed by Alvin Baltrop; profound photographic still lives from the 2000s by Sarah Charlesworth; and documentation of the late Carolee Schneemann revisiting Interior Scroll in 1993 represent the capture of performance, desire and self reflection as engines for art production as well. Collaborative works by Alisha B. Wormsley and Kite; Andrea Fraser and Jeff Preiss; and Ryan Muller and B. Wurtz further the emphasis in this project on artist partnerships and networks as essential to cultural production and a means of survival for most.

The film and video program titles including Statues Hardly Ever Smile (Stan Lathan/St. Clair Bourne, 1971); Orchard Document: May I Help You?(Andrea Fraser, Jeff Preiss, 2005-2006); and Reclaimed Empire (Adam Putnam, 2008-2017) take existing artworks and their sites of display as subjects to be activated via performance.

Organized as a searching scroll of performance and correspondence, this project considers the fractured boundary between private and public as an endless conveyance of self, sometimes to no one and sometimes to many. Artists depicting other artists or their own personages, correspondence reflective of one’s community and performance residuals convey the crucial role of communication and the record left after.

A six-part film and video program co-programmed by Soft Network and Jason Evans for Metrograph online runs through August 23rd and concludes with a live screening at the Arts Center of Duck Creek in Springs on August 22nd. Programmed by Rosalind Schneider and Martha Edelheit of Women/Artist/Filmmakers,Inc. a female experimental film collective founded in the 1970s, the final series includes several titles from the 1975 art and performance week Women Artists Here and Now.

Overall, the program for Metrograph, titled Artists on Camera 1967-2021 looks at the long tradition of artists depicting other artists as an intimate perspective on a typically guarded world. Unique encounters with friends, peers, and their wider community bring an admiration shared by those on both sides of the camera. From quiet portraits filmed in studio environments that explore the nuances of an artist’s everyday life, to layered films that trace the influence of one artist’s work on another, the program of shorts, mid-length and feature films reveals how both the portrayers and the portrayed intersect.

About Soft Network

Soft Network is a cooperative platform established by Chelsea Spengemann and Sara VanDerBeek for connective arts programming. We work between past and present to explore ways in which the archive and archival interactions can become integral modes of exchange, collaboration, creativity and commerce. Soft Network’s mission is to provide opportunities for living artists and the representatives of non-living artists to support each other through sharing resources, labor and profits by generating new projects in collaboration with existing platforms. Projects will be available to view during regular business hours of the exhibition space or by appointment. All artworks are available for immediate purchase at the exhibition space and in certain instances online via our partners.

In Soft Network's online store with Rachel Comey, items are organized into various sections that are periodically updated. A dream archive of sorts, this collection of artwork, publications, special editions and ephemera grows out of Soft Network's interest in process and dialogue between practitioners and their inspirations. Soft Network's presentations will be ongoing, accumulative and intergenerational.

In addition to Rachel Comey, Soft Network's collaborators include Pochron Studios, Brooklyn; S&S Corner Shop, Springs; Wolfy Part II, Tivoli, NY; ArtFizz Projects; Parrish Art Museum Store; Registrars Group LLC, NY; and many individuals.

Artist List

Broadway, NYC, August 5 - August 27, 2021

Alvin Baltrop
Sarah Charlesworth
Sari Dienes
Andrea Fraser & Jeff Preiss
Robin Graubard
Kite
Kite & Alisha B. Wormsley
Alison Knowles
Stan Lathan
Juanita McNeely
Ryan Muller & B. Wurtz
Adam Putnam
Carolee Schneemann
Anita Steckel
Alisha B. Wormsley

S&S Corner Shop, The Art Building, Springs, Long Island, July 24- September 26, 2021

Lucas Blalock
Travis Boyer
Sarah Charlesworth
Moyra Davey
Sari Dienes
Martha Edelheit
Mónica Félix
Lilah Friedland
Li Harris & Alisha B. Wormsley
Ray Johnson
Joan Jonas
Allan Kaprow
Matt Keegan
Klaus Kertess
Joyce Kozloff
Shigeko Kubota
Louise Lawler
Steve Locke
Juanita McNeely
Kamau Amu Patton
Sara Greenberger Rafferty
Dorothea Rockburne
Carolee Schneemann
Joan Semmel
Cindy Sherman
Gwen Smith The Black Woman Project
Anita Steckel
Johanna Vanderbeek
Stan VanDerBeek with Elaine Summers
Ryan Wallace
Betty Woodman
Francesca Woodman
George Woodman

Halsey McKay, East Hampton, Long Island, May 28 - July 26, 2021

Sari Dienes
Carolee Schneemann
Sara VanDerBeek

Contact:

Chelsea Spengemann
Sara VanDerBeek
info@softnetwork.art
www.softnetwork.art

Alvin Baltrop, The Piers (man with sunglasses), n.d. (1975 -1986)

Alvin Baltrop

The Piers (man with sunglasses), n.d. (1975 -1986)

Silver gelatin print

Sarah Charlesworth, Camera with Yellow, 2009

Sarah Charlesworth

Camera with Yellow, 2009

Fuji Crystal Archive

Edition of 8 plus II AP

Sari Dienes, Love Always Gloria Swanson, 1955

Sari Dienes

Love Always Gloria Swanson, 1955

Ink Rubbing on Webril

Andrea Fraser, Jeff Preiss, ORCHARD Document: May I Help You?, 2006 (Text 1991)

Andrea Fraser, Jeff Preiss

ORCHARD Document: May I Help You?, 2006 (Text 1991)

16 mm film to digital file, color

Courtesy the Artists

Edition of 8

Robin Graubard, un jardin, 2020

Robin Graubard

un jardin, 2020

Pigment print on cotton paper

Edition of 5 plus II AP

Robin Graubard, tokyo FLOWERS...Paris, 2018

Robin Graubard

tokyo FLOWERS...Paris, 2018

Pigment print on cotton paper

Edition of 5 plus II AP

Robin Graubard, signature, 2019

Robin Graubard

signature, 2019

Pigment print on cotton paper

Edition of 5 plus II AP

Robin Graubard, House on the Cote D'Azur, 2019

Robin Graubard

House on the Cote D'Azur, 2019

Pigment print on cotton paper

Edition of 5 plus II AP

Robin Graubard, rocking horse by the castle, 2020

Robin Graubard

rocking horse by the castle, 2020

Pigment print on cotton paper

Edition of 5 plus II AP

Robin Graubard, my uncle Robert published this poem of James Baldwin when they were in high school together, 2019

Robin Graubard

my uncle Robert published this poem of James Baldwin when they were in high school together, 2019

Pigment print on cotton paper

Edition of 5 plus II AP

Robin Graubard, Cap-Ferrat, 2019

Robin Graubard

Cap-Ferrat, 2019

Pigment print on cotton paper

Edition of 5 plus II AP

Robin Graubard, Cognes-sur-Mer, 2019

Robin Graubard

Cognes-sur-Mer, 2019

Pigment print on cotton paper

Edition of 5 plus II AP

Kite, Wichahpih'a (a clear night with a star-filled or a starlit night), 2021

Kite

Wichahpih'a (a clear night with a star-filled or a starlit night), 2021

Screen print with holographic ink on black matte paper

Edition of 30

Kite, Alisha B Wormsley, An Invitation for Black and Indigenous Artists to Dream, 2021

Kite, Alisha B Wormsley

An Invitation for Black and Indigenous Artists to Dream, 2021

Saddle stitch zine

Edition of 25

Alisha B Wormsley with Soft Network, There are Black People in the Future: Artifacts

Alisha B Wormsley with Soft Network

There are Black People in the Future: Artifacts

Archival pigment print

Alison Knowles, Being with Paper, 2021

Alison Knowles

Being with Paper, 2021

Archival ink on archival paper

titled, numbered, signed and dated by artist on recto

(framed)

Edition of 2

Juanita McNeely, Woman and Dog, 2011

Juanita McNeely

Woman and Dog, 2011

Oil on linen

Juanita McNeely, Lynn Working, 1984

Juanita McNeely

Lynn Working, 1984

Oil on linen

Ryan Muller, B. Wurtz, Untitled, 2021

Ryan Muller, B. Wurtz

Untitled, 2021

Wood, plastic lids, buttons, thread

Adam Putnam, Reclaimed Empire (Deep Edit), 2008-2018

Adam Putnam

Reclaimed Empire (Deep Edit), 2008-2018

video

Courtesy the Artist and PPOW

Edition of 5

Adam Putnam, Untitled, 1994

Adam Putnam

Untitled, 1994

Toned silver gelatin photograph

Carolee Schneemann, Interior Scroll, 1975

Carolee Schneemann

Interior Scroll, 1975

Gelatin silver print

Anita Steckel, Duchamp Series (Rrose Sélavy), 1995-2005

Anita Steckel

Duchamp Series (Rrose Sélavy), 1995-2005

Pencil and photo collage on paper

Anita Steckel, Duchamp Series (Rrose Sélavy), 1995-2005

Anita Steckel

Duchamp Series (Rrose Sélavy), 1995-2005

Pencil and photo collage on paper